Woman, Arshile Gorky, David Garnand, Roy Lichten, One Dot At A Time, Essay

Woman, Arshile Gorky, David Garnand, Roy Lichten, One Dot At A Time, Fantastic Child - Essay Example Pollock’s inspiration by Garnand is seen to be photos within the modern and real life environment. The photos are mainly focused on a tree section, and the background appears to be misty or foggy. The photos are taken on an elevated view focusing the sky as the background. The tree section appears to be dry and quite dark signifying a winter period. The white and mostly clear background give more focus on the tree section which is seen to be quite dark. An essence of nature and its effect are seen from these photos which make them look quite beautiful and natural. Corey Egbert illustration photo portrays a woman who is depicted with a cartoon appearance. There is use of bright colors that are focused upon by the dark background. The photos portrays emotion within the paintings while maintaining a real life emotional situation, like the use if tears and facial expression. The photo also portrays a beautiful woman who makes the observer feel sorry about the tears from her eyes. From looking at the painting, I am able to blend in within the mood of the painting setup even without my knowledge. There is some good work applied on this painting. The one dot at a time art is some colorful pictures which include emotions and feelings within the picture. There is great use of color and perfect combination of the background. If checked closely, the pictures are seen to be formed by little dots placed and drawn in a picture to pull out a perfect picture at the end. The dots are quite small and cannot be seen.

Federal Acts Affecting MIS Research Paper Example | Topics and Well Written Essays - 250 words

Federal Acts Affecting MIS - Research Paper Example For instance, this act forces the cable operators and service providers to provide a printed guideline containing information on public privacy whenever a connection is issued to a person. This act increased the customers’ confidence by ensuring a great deal of privacy and security of their information. On the other hand, this act forced the cable operators not to disclose their customers’ information as well as get approval of the customer prior to making use of their information. In this scenario, this act has offered an excellent support for ensuring the security of customer data (PUBLIC ACCESS AWARENESS ASSOCIATION, n.d; University of Miami School of Medicine, 2005). The telephone consumer protection act (TCPA) was introduced in 1991 and it was aimed at making sure that people are not pressurized by telemarketers as well as have the facility to avoid. Additionally, it also allows people to restrict autodialed calls that have the capability to connect two or more lines of a traditional communication structure of multi-line business. In addition, this act also ensures that the customers do not get unwanted publicity material via faxes connected to the personal telephone. Moreover, this act is an excellent solution for dealing with telephone technology abuse. Furthermore, this act also allows customers to ensure the safety of their personal information and data (Aydenemma, 2012; FCC, 2012; American Teleservices Association, 2012; Direct Marketing Association,

The Serena Group and Its Personnel System Assignment

The Serena Group and Its Personnel System - Assignment Example The group has approximately five thousand employees working in various departments. For efficiency of service, the industry has various departments where employees are deployed (Tanke, 2009). In its operation, the industry operates under Tourism Promotion Service (TPS). The industry has three major departments: food and beverage, accommodations, and travel and tourism. These departments are managed by the general manager. Executive committees are under the general manager. These are the Executive Housekeeper, Front office manager, food and beverage manager, chief engineer controller, room division manager, chief chef, personnel manager and marketing manager. These staff members work congruently in all the branches. Below the executive committees are the heads of different sections. These are the restaurant managers, room service manager, banquet manager, security guest relation accountant, horticulturist preventive maintenance manager, cashier, reservation manager stewards, laundry m anager and the bar manager. All these employees work in ensuring that their customers get the best services. Â  Although the industry has exceptionally shown outstanding performance, it has internal challenges that are facing. One of the distinct challenges is the high turnover ratio. Most of the employees lay off their duties haphazardly due to the nature of the work they do or for other reasons. Although every workplace has its challenges, hospitalities industries, more so, Serena group has high turnover rates due to the following: Â  Most of the luxury hotels, if not all, depending on the tourists and travelers for their operation. As the tourists travel across the continents, they exploit on these luxurious hotels for their meals, accommodations and stay.

YOLO Tumblr Essay Example for Free

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Peer Pressure Leads To Guilt And Destruction

Peer Pressure Leads To Guilt And Destruction Macbeth, written by Shakespeare, is a tragedy that showed the consequences of Macbeths guilt from the peer pressure of Lady Macbeth. Lady Macbeth questioned Macbeths manliness several times throughout the story. Macbeth wanted to prove that he was a stronger person. Even though Macbeth proved his manliness, he regretted his decision. Macbeths decision to kill Duncan was based off of peer pressure from Lady Macbeth. The character Macbeth had been told by the three weird sisters that he was going to be the Thane of Cawdor and king of Scotland. In order for Macbeth to take the throne, he had to kill King Duncan. Macbeth never asked the question, Do I really have to kill Duncan in order to become king? Instead, Macbeth was pressured into his decision by his wife, Lady Macbeth. From Macbeths decision some ask the question, Was Macbeth really pressured by Lady Macbeth? Another question often brought up is, Why did Macbeth make the decision to kill Duncan? I believe the main reason for the murder of Duncan was from the peer pressure of Lady Macbeth. Macbeth had just returned from stopping two invading armies, but that did not stop him from wanting more power. Macbeth was ambitious but lacked he lacked the effort to make it happen (Snodgrass 37). He often thought about the consequences that would happen if he were to proceed in killing Duncan. Macbeth also thought about the things Duncan had done for him when he served him as king. He decided he could not bring himself to kill Duncan, but he wanted more success. On the other hand Lady Macbeth was far more ambitious than her husband. Lady Macbeth was described as very ambitious, burning in unquenchable desire to have the name of queen (Quennell 133). After Lady Macbeth read the letter her husband wrote her she said, Hurry home so I can twist your thinking with my sharp words toward the obstacles that stand in the way of your crowning, a rise to greatness that destiny and the witches have promised (I.V.24-29). She had a plan up her sleeve to kill Duncan. Lady Macbeth did not see an ything wrong with killing Duncan; she only saw a way to gain more power. Lady Macbeth called upon evil spirits to get her in the right mind-set to pressure Macbeth. She said, Come you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe, top full of direst cruelty (I.V.38-41). Come to my womans breasts, and take my milk for gall, you murdering ministers, wherever in your sightless substance you wait on natures mischief (I.V.45-46). Come thick night, and pall thee in the dunnest smoke of hell, that my knife see not the wound it makes, nor heaven peep through the blanket of dark (I.V.48-51). First Lady Macbeth said, Unsex me here, to prove that she would be willing to become the opposite sex. Lady Macbeth practically wished at this point that she was not a woman anymore, so she could kill Duncan. Then she called upon the evil spirits to replace her breast milk with bitterness. Lastly, she asked for the night to be covered with fog so she would not be able to see the wound of Duncan. This showed how much she was willing to kill King Duncan. Macbeth told his wife Duncan will be staying with us but he will leave the next morning. Lady Macbeth said, O! Never shall sun that morrow see/ your face, my thane, is as a book where men may read strange matters (I.V.58-61). She told Macbeth, Look like the innocent flower, but be the serpent undert (I.V.63-64). She then said, Leave all the rest to me (I.V.71). Lady Macbeth meant go and treat Duncan like royalty and keep your murderous intent hidden. Lady Macbeth then planned out the plot to kill Duncan. That greatly showed her ambition and hunger for power. Macbeth contemplated if he should kill King Duncan. Macbeth had thought of several reasons why he should not and did not want to kill Duncan. First, Duncan was king over him. Second, Macbeth was his protector and host because he was staying at Macbeths house, and he should not harm him. Lastly, King Duncan had been a good and kind ruler, so Macbeth felt he should never hurt him. Macbeth brought to his wifes attention that he did not want to go through with the plan to kill King Duncan. He said, We will proceed no further in this business; he hath honourd me of late; and I have bought golden opinions from all sorts of people, which would be worn now in their newest gloss, not cast aside so soon (I.VII.31-34). That should have been the end, but Lady Macbeth would not take no for an answer. Lady Macbeth urged Macbeth to kill Duncan, which eventually led to his downfall. She did not only question his decision, but she questioned his manliness. Men never like to feel weaker than women. Macbeths wife said, When you durst do it when you were a man; and, to be more than what you were, you would be so much more the man (I.VII.49-51). Lady Macbeth meant if you murder Duncan and do what you plan, then you will be a real man. Lady Macbeth showed she could be masculine when she said, I have given suck and know how tender tis to love the babe that milks me; I would, while it was smiling in my face, have pluckd my nipple from his boneless gums, and dashd the brains out, had I so sworn as you have done (I.VII.54-59). Lady Macbeth expressed a very powerful statement when she said she would be able to kill her own child. Lady Macbeths words were a great challenge for Macbeth. Macbeth said, Bring forth men-children only for thy undaunted mettle should compose nothing but males (I.VII.7 2-74). Macbeth meant you have such a hardened heart that you should only bear male babies (Snodgrass 51). Lady Macbeth felt he was too compassionate to kill Duncan in order to claim the throne. He would rather take the throne fairly (Snodgrass 37). Questioning Macbeths manliness pressured him into killing King Duncan. Lady Macbeth gave the excuse that she could not kill Duncan because he looked too much like her father. She said, Had he not resembled my father as he slept, I had done it (II.II.12-13). She was giving an excuse for why she did not want to kill Duncan. This showed she lost strength when she saw Duncan sleeping, for he reminded her of her father. It showed she became weak inside and pressured Macbeth instead. Lady Macbeth tried to sound tough when she said, Unsex me here, but became weak when she saw him sleeping. Macbeth was afraid that the plan will fail, and the people will find out that he murdered Duncan. She told Macbeth, Screw your courage to the sticking-place, and we will not fail (I.VII.60-61). Lady Macbeth said, If we pretend to grieve for the king no one will challenge us (I.VII.77-79). He finally decided he wanted to prove to Lady Macbeth that he was a real man. Macbeth went through with the decision and murdered Duncan. She said, Smear the faces with blood. Macbeth refused, Mocking his weakness, she takes the daggers and performs the task herself (Rozakis 240). Lady Macbeth put blood on Duncans guards and laid the daggers next to them. She left the people thinking it was Duncans guards who planned the murder of their king. The Bible gave us many good examples of how we need to submit ourselves to our husbands. God gave a command that said, Wives submit to your husband as is fitting in the Lord (NIV Colossians 3:18). Lady Macbeth should have let Macbeth make the decision based off of what he was right and what he felt was the right decision. She was only thinking of herself and what she got from the situation. She knew she wanted to have the title of becoming queen and did not think of the consequences that could come from the situation. I Corinthians 11:3 stated, The husband is to assume leadership in the home. The husband and wife should both show love and respect towards each other, but he should have told Lady Macbeth I will do what is best for us. Both Macbeth and Lady Macbeth experienced guilt and regret after the murder of King Duncan. Macbeth experienced regret because he had to hire murderers to kill Banquo and Fleance to cover up the slaughter of Duncan (Rozakis 240). Macbeth began to feel insanity from the whole situation. Lady Macbeth was affected from the situation when she began to sleep walk. As Lady Macbeth was sleep walking, she began rubbing her hands. She rubbed her hands trying to get the blood off of them (Quennell 134). She kept thinking that her hands were bloody from when she smeared the blood on the faces of Duncans guards. This drove her into insanity, which eventually led her to commit suicide. The story of Macbeth was a good example that showed the effect of peer pressure. Suicide is the third leading cause of death in America among teens. Peer pressure has not only led to suicide, but also drug overdoses, fatal car accidents, violent crime, and unwanted pregnancy (Unknown Author). Teens, who have been pressured by their friends, sometimes turn to suicide as a way out (Unknown Author). Lady Macbeth only thought about fame and power and did not think about the consequences of her actions. She pressured Macbeth, which led to Duncans murder. She did not only think about how this decision could affect her. She felt guilty, which led to her insanity. One action led to not only the murder of Duncan, but the murder of herself.

Sex Education In Schools Essay -- Sex Education Essays

"The Netherlands provides sex education starting in preschool and boasts the lowest teen birthrate in the world--6.9 per 1,000 women aged 15-19--a rate nearly eight times lower than in the United States."(Topic overview: sex education) Pregnancy among adolescent girls aged 15 to 19 is a high concern. Sex education has proven in many areas to be very beneficial. Sex education is a very controversial topic with parents. Sex education should be taught because it gives young people information which allows them to make an educated decision for themselves whether or not to have sex. Sex education makes the students aware of all the risks; it lowers birth rates, protects against medical problems, and allows young people to have charge of their lives. Teaching about sex to adolescents lowers birth rates in the United States. The editor of workblog and columnist at Washington Post, Ezra Klein wrote about how the birth rates in the United States have fallen to an all-time low. â€Å"The U.S. birth rate dipped in 2011 to the lowest ever recorded,† 63.2 per 1’000 women, says Klein. The Netherlands has the lowest teen birthrate with 6.9 per 1’000 women, and it’s all because teachers start providing sex education in preschool. Sex education needs to be taught earlier, maybe not preschool; but early enough to where kid’s haven’t heard all about sex yet, or made a decision on how to handle sex. Teaching kid’s at a young age about sex presents the consequences sex carries with it, and provides knowledge before students decide to start having sex. Rather than already experimenting with sexual activity and then getting taught everything about it, because it’s so much harder to stop some thing than it is to start it. All of the information doesn’t have... ...bout Contraception Is a Key Divide. â€Å"McClatchy-Tribune Business News 2013 oct 03: N.p. Web. 21 Nov. 2013. . Klein, Ezra. "Graphs of the day, Part 2: U.S. birthrate falls to lowest on record." Washington Post. (2012): n. page. Print. . Mccoppin, Robert. "Plan for Health Center at School Stirs Worries." Chicago Tribune2012 nov 19: 6. Web. 31 Jan. 2014. . Staff, Proquest. Topic Overview: Sex Education. N.p.: ProQuest LLC, 2013. Web. 25 Nov. 2013. http://skis.sirs.com. Sujata, K. "Getting to Responsible Sexual Health Education." Chicago Tribune 2013 may 17: 19. Web. 31 Jan. 2014. . "Teen Pregnancy:Medical risks and realities." WebMD. N.p., 07 July 2012. Web. 27 Feb 2014.

Analysis of “Raise the Red Lantern” Essay

Yi-Mou Zhang’s Raise the Red Lantern, is a beautiful and brilliantly made film in its own right. If, however, the team of Orson Welles and Greg Toland had produced the same film it would take on an entirely different look and feel. The film would reflect Wells love for creating physical representations of thematic metaphors and the long take and Toland’s brilliant use of deep space photography and mobile framing. Under the direction of the Wells-Toland team, the film would take on subtle, yet significant differences from the very beginning. In the opening scene, with Songolian and her stepmother, the focus of the camera would still be a medium close up of Songolian; but, the previously unseen mother would now be seen in the extreme background and edges of the frame. Using deep focus and choreographing her movements the mother’s character would still remain faceless, but would seem more tangible and the feeling of distance between the mother and her stepdaughter could be re- enforced. The next major difference would be seen in the sequences involving Songolian’s entrance into the house itself. In Zhang’s original version, Songolian enters the frame with the inscription on the back wall shown briefly. The W-T revision would begin the entrance sequence with a medium close up of the inscription itself, slowly panning from left to right, just slowly enough to recognize the characters but fast enough to not allow the audience to actually read the inscription. The significance of the inscription on the wall has been explained as being not in the inscription, but in the characters themselves: in the oldest Chinese societies the written characters were created with arbitrary meaning assigned to them, only scholars and the aristocracy had the time and means to learn the meanings of the thousands of different characters used. The characters on the wall are alluding to a society which was dominated by male figures who arbitrarily created meaning and tradition. Zhang filmed the movement through the house in a series of shots usually cutting from the entrance into a archway or gate, to the exit on the other side from the same. This style creates a feeling of disorientation and the layout of the house is never really established for the audience. The W-T  duo would probably have filmed the various movements through the ground levels of the house in a series of long-takes with tracking shots. The shots, starting from approximately rooftop level, would then track forward and down to follow the movement of a character through the complex, rising up and ‘crawling’ over arches and entrance ways and then dropping down again. Instead of placing an emphasis on the feeling of the palace’s physical ‘discontinuity’ created by Zhang’s shots, this change would emphasize the magnitude of the structure itself, reenforcing the feeling of a well established and developed tradition and the insignificance of one small w oman. The other type of movement followed in the story is the movement above roof level. The W-T team would handle this in a much different fashion than Zhang. The movement above roof level represents freedom of various kinds and ultimately, escape. Welles would want the camera movement in the roof scenes to reflect this, consequently, the movement of a character on the roof would be filmed in a continuous take. The shot would probably be a tracking shot that changed angle and distance continuously, possibly even violating the 180 degree rule, in order to give the camera a bird like point of view. The other type of shot used above the roof level would be the fixed frame shots involving two or more characters at a distance; Toland would again use this opportunity to utilize his mastery of deep focus, keeping both of the characters in focus while displaying the distance between the two. In the next scene Songolian, enters her house for the first time. Zhang used a long shot to show her standing in the middle of the room, surveying her new accommodations. The W-T team would have used a longer shot, possibly even an extremely long shot in this instance. As the lanterns are being lit, the central chandelier above the bed would probably be shot from a bird’s eye perspective as it was being lowered and then a floor shot as it was being raised. The change in distance would make Songolian seem even smaller in the huge room, a tiny woman surrounded buy countless, huge red lanterns signifying the family traditions. When the husband is finally introduced into the film, the W-T team would  shoot the husband as a faceless character, just as Zhang had done. The technical difference, however would be that W-T, would use a shot/reverse-shot sequence with the husband in order to better display the distance between himself and Songolian. This would be a perfect opportunity for Toland’s mastery of the use of deep space. Shooting close to the husband from below shoulder level toward Songolian would create a better physical metaphor for the emotional distance between the two. Frequently in the film there are shots of the inner court-areas of the houses of various wives, shown with the red lanterns burning against the darkness of the night. Zhang, in his version, shoots these from a high angle and the camera is fixed in the inner courtyard. W-T would shoot this as a tracking shot, moving from a high angle shot of at least one of the dark inner courts and then pulling back to pan across the darkened compound, then moving to another high angle shot of the court with the lit lanterns. There are frequently points in the story where the husband leaves the house during the night to go to another house. The W-T team would shoot this from a high angle shot of the lit inner-court as the lanterns are extinguished and then use a tracking shot to ‘crawl’ along the compound to the house where the lanterns being lit, then the camera would pan back in the direction it had come to reveal the dark compound. The dining room is a central point in Zhang’s version of the film and would also be pivotal in the W-T version. Songolian is shown the dining room when she is given her tour of the house. The W-T version of this scene would closely resemble the Zhang version with one key difference. The W-T camera would raise to the faces of the portraits of the ancestors, move to a close up and then pan around the room giving us a shot representative of Songolian’s perspective. In the first dining scene the establishing shot would be the same shot that was originally used. The long shot that was used to establish the parameters of the room and provide a subtle suggestion of the thematic implication of the scene would take on new meaning under the direction of the Wells-Toland team. The Spartan room, surrounded on three sides by portraits of past patriarchs of the family was visible in the establishing shot, but the presence of the ‘family men’ is only alluded to;  with T oland’s use of deep focus the portraits of the patriarchs could be brought into clear perspective, bringing the idea of the influence of the ancestors more securely into the scene. As the scene progresses Zhang’s original sequence of shot, reverse-shot wold still be used, and the camera’s height would remain above the table level; the important difference between the Zhang’s shots and the W-T shots would be the camera’s angle. W-T would lower the camera slightly and drastically increase the angle in order to include the faces of the long deceased patriarchs in the same frames with the wives in the close-ups and medium close-ups. This change, in conjunction with deep focus, would alter the thematic implications of these scenes by introducing the faces of these nameless men directly into the world of the wives, they would be literally, looking over their shoulders. The most significant change in the film would come during the scene when Meishan is hung. Wells would want to convey Songolian’s feeling of fear and confusion and Toland would accomplish this by using a long take beginning when Songolian first sees the lanterns coming through the archway. The camera would then shift to a P.O.V. shot representing Songolian following the men up to the rooftop. Reaching the rooftop level the camera would rush forward to reveal a medium long shot of the men taking Meishan into the room, then turn on its axis and rush back toward Songolian to display the revelation on her face and her fear. Finally, the camera would circle behind Songolian in a very long reverse shot and Toland’s masterful deep focus would display the men leaving the room upon completion of the act.